نوع مقاله : مقاله پژوهشی
نویسنده
استادیار ادبیات فرانسه، گروه زبان های خارجی، دانشکده ادبیات و علوم انسانی، دانشگاه خوارزمی
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
As a recent approach in the human sciences and in literary criticism, ecocriticism animates a fundamental antagonism: to displace the human being in favor of a certain autonomy or even a philosophical and aesthetic self-sufficiency of Nature. It is no exaggeration to say that this debate is at the origin of the theoretical and methodological bifurcations in the field of ecocriticism since its emergence in the 1990s. Our study tries, as far as possible, to go around the ecocritical approaches especially Anglo-Saxon to finally address the ecocritical approach proposed by Félix Guattari who will represent the French perspective in the ecocritical debate. To do this, we will be particularly interested in Three Ecologies (1989), Guattari's most solid ecological writing, where the philosopher proposes his famous idea of "Ecosophy", thus opening up a whole new perspective in the ecological reading of cultural works: a perspective based essentially on questioning the relationship between human subjectivity and its ecological, environmental and social exterior. Then, we will try to deploy this conceptual tool that Guattari offers us by looking at a contemporary Iranian play which does not reveal, at first glance, any interest for a classic ecocritical reading to see how, in the absence of any explicit theme linked to non-human nature, the ecocritical approach can still retain its relevance.
کلیدواژهها [English]
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